Have you had the chance to see Frédéric perform lately? If so, tell us, and others, what you thought about the show.

Here are what some music critics and journalists had to say...

"The show is magic, and it’s not static by any means. Stevie doesn’t spend the whole night seated behind the piano, either. At one point, standing, he and guest artist Frederic Yonnet — a Wonder disciple — had a crazy harmonica duel that almost sent Stevie flying off the stage in a frenzy."
Roger Friedman, Fox.com

"Many of us picture Stevie sitting in front of a piano, but his first instrument was the harmonica, and it shows. During "Boogie On Reggae Woman" he stood up from the piano and tore into an intense dueling harmonica jam with virtuoso Frederic Yonnet. Awesome."
Dan Pashman, NPR

"Mr. Wonder performed a comical but impressive harmonica-solo showdown with Frederic Yonnet, another exceptional musician."
Ben Ratliff, New York Times

"Harmonica has played a monumental role in the blues idiom but in jazz it has been employed successfully by only several musicians, Toots Thielemans, Howard Levy and Frédéric Yonnet coming to mind as three who have made significant contributions in the instrument."
W. Royal Stokes - Jazz Times

"Fred has an extraordinary ability for wringing torrents of emotion out of that tiny instrument, the harmonica."
Rhome Anderson, mp3.Washingpost.com

"A true virtuoso."
Eric Brace, Washington Post

Reviews

Reviewer: Randy McElligott, ejazznews.com & jazzreview.com

Belgian harmonicist Toots Thielemans has long been considered one of the finest musicians ever. Now there is a new kid on the block. French born Frédéric Yonnet has released an album (Front Center) featuring his unique approach to the instrument. Drawing on soul, rock and jazz standards, Yonnet weaves his magic to create a diverse and pleasant session.

"Boogie On Reggae Woman" is one of the most rhythmically satisfying pieces from the great Stevie Wonder. In Yonnet's capable hands, the melody is even funkier than the original with plenty of improvisation and drive. Every bar pushes the envelope further resulting in a never-ending orgy of funk and sass.

The beautifully relaxed version of "God Bless The Child" is performed with style and affection. Yonnet's control and focus shine throughout, digging deep into various melodic possibilities. There is excellent backing from the band.

The Marvin Gaye classic "What's Going On?" is performed with warmth and balance. The band is tight and spot on. Evan's soulful contribution adds richness and harmonic balance. Yonnet exits on a high note revisiting the melody one more time.

Cyndi Lauper's beautiful "Time After Time" is given a soulful working with Yonnet''s moving harmonica taking center stage. Although subdued at times, Yonnet manages to retain the melody throughout. This is another fine display of how to sustain a melody without losing control.

If there were one standout on this beautiful recording, it would be Yonnet's touching version of "Amazing Grace". Recorded live in concert before an appreciative audience, Yonnet puts his heart and soul on the line with a gut busting and unforgettable rendition, that is not soon to be forgotten.

Judging from the musical and sonic quality of this auspicious debut, Front Center introduces the world to not only a fine harmonicist but also a musician searching for that elusive voice. With a first rate band, inspired performances and a desire to explore new frontiers, Yonnet is well on his way to becoming a key performer deserving wider recognition.