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Frédéric
Yonnet
Scores Music for TV
One's Quiet on the Set
[Washington, DC, August
30, 2005] The signature
sound of Frederic Yonnet can
be heard during the opening music
of TV One’s (www.tvoneonline.com
) new show Quiet on the Set – a
series of interview specials
that highlight the works and
lives of major African American
figures in the entertainment
world. The music, produced by
Frederic and FYI Music Group
and features Stanley Cooper on
guitar & Carla Sims on vocals.
The first show, which aired in
August and is on rotation throughout
the month, featured award-winning,
director and producer John Singleton
discussing his legendary career
in the film business, his childhood
and values, and what motivates
him as a filmmaker.
The new series of special interviews,
produced by Mary Jack Productions
in conjunction with Howard University,
is hosted by veteran television
producer, talk show host and
Major Jack Productions founder
Mary Major and filmed in front
of an audience of Howard University
students.
Singleton discusses his entire
body of work, from his Academy
Award-nominated first film, Boyz
N the Hood, which he wrote and
directed in 1991 as a young man
just out of USC film school, to
his latest sensation, Sundance
Festival award-winning Hustle & Flow,
a film he produced and self-financed.
"It's widely said that nobody
of color in Hollywood can greenlight
a film - until now," Singleton
says, referring to Hustle & Flow,
the current box-office hit film
that he produced and financed about
a Memphis pimp who attempts to
become a successful rapper. He
said the film was taken to every
studio in town and no one wanted
to make it, so he got mad and set
out to make the film outside the
traditional system. Eventually,
even before it was shown at the
Sundance Film Festival, the studios
started calling but he accepted
no additional financial backers.
Finally, at Sundance he did make
a deal for MTV and Paramount to
distribute the film.
"Now I know if I want to
do a certain type of film that
doesn't cost that much money, I
don't have to go through that [studio]
system," Singleton said.
He tells Major he adopted his
life philosophy, "Don't talk
about it, do it," from his
mother and says he first knew he
wanted to be a film director when
he saw Star Wars at age nine. After
seeing the movie a dozen times, "that
summer, I realized that the person
in charge was the director and
I started researching what a director
does."
When Major inquires whether he
intends for his films to help share
part of the African American culture
that may be unexplored or misunderstood,
Singleton tells her, "I just
think its part of who I am. I'm
really just about us, showing who
we really are as a people. I don't
think about it. That's just what
I do."
Noted for introducing some of
America's top acting talent to
their first major film roles, including
Angela Bassett, Regina King and
Cuba Gooding, Jr., Singleton claims
no sixth sense in selecting talent
for his films. "Nine times
out of 10 I just read them for
the role and if they're so watchable
that you can't take your eyes off
them, I say let's cast them," Singleton
tells Major.
In upcoming specials, Mary
Major will interview Anthony Anderson,
Regina King, Blair Underwood and
LeVar Burton.
Photo: Frédéric
Yonnet entertains the crew during
the taping of the show, Washington,
DC, 2005.
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